@nedraggett.bsky.social
Hi! I write about music at various spots (@thequietus.com, @thewiremagazine.bsky.social, Shfl and my Patreon, also in the past @allmusic.com, @pitchfork.com, @bandcamp.com etc. etc.). Plus podcasting about #Tolkien with friends at @bythebywater.bsky.social
@steamroom.bsky.social
steamroom.bandcamp.com https://www.nts.live/shows/jim-o-rourke Moikai --> https://www.dragcity.com/products?filter_label=M
@touch33.net
Since its founding in 1982, Touch (based in London) has created audio-visual productions and live events that combine innovation with a level of care and attention that has made it the most enduring of any independent company of its time.
@ghostboxrecords.bsky.social
@sarahhennies.bsky.social
Composer, Percussionist, 🏳️⚧️ Visiting Assistant Professor of Music @ Bard College www.sarah-hennies.com
@loulayorke.bsky.social
modular synthesist | Oram Award Winner | monthly mixtape on bandcamp 💫 (she/her) | linktree.com/loulayorke | my fediverse bridge handle is @loulayorke.bsky.social@bsky.brid.gy (the two @s are part of the same handle 🤷🏻♀️)
@jo-johnson.bsky.social
She/her. Music maker. Solo/ with @hvrlon, VLF w/ @plant43.bsky.social. Occasional DJ. Once a Huggy Bear. https://linktr.ee/jojohnson.tinysilences Bookings mike@berytus.art/me. Deep listening events @bleep43.bsky.social https://bio.site/bleep43
@flamingpines.bsky.social
A home for sound art, field recording and experimental ambient music. Run by Kate Carr.
@tempresltd.bsky.social
Artist-owned independent record label based in Brooklyn, New York. Established in 1995 or 1996. This is all an experiment.
@m-geddes.bsky.social
not ambient, not new age, but a secret third thing. https://linktr.ee/gedgengras
@hotsalvation.bsky.social
The Outsider Institute. Working with diverse and subversive artists, labels and producers to realise beautiful work with meaningful relationships and lasting fulfilment. Celebrating obscurity and decentralising culture. Run by George Clift
@subpop.bsky.social
Going out of business since 1988. We’re not the best, but we’re pretty good. www.subpop.com
@crackmagazine.bsky.social
Listening closely. Read our latest cover story: https://crackm.ag/Purelink
@warprecords.bsky.social
@zsennef.bsky.social
@dusttodigital.bsky.social
Presenter of music and sound cultures. https://dusttodigital.substack.com/
@liminalplaces.bsky.social
@mitpress.bsky.social
Committed to the daily re-imagining of what a university press can be since 1962. Website: https://mitpress.mit.edu // The Reader (our home for excerpts, essays, & interviews): https://thereader.mitpress.mit.edu
@wired.com
At wired.com where tomorrow is realized || Sign up for our newsletters: https://wrd.cm/newsletters Find our WIRED journalists here: https://bsky.app/starter-pack/couts.bsky.social/3l6vez3xaus27
@newweirdaustralia.bsky.social
Neither one genre nor another, we champion artists who find refuge in the spaces between. newweirdaustralia.com.au
@elektron.se
Music • Creativity • Community The official Elektron account 🎛 https://www.elektron.se/ 🎛
@darkentries.bsky.social
resuscitating the underground 910 Larkin Street, SF CA 94109
@leavingrecords.bsky.social
@stonesthrow.bsky.social
We make records, based in Los Angeles. https://www.stonesthrow.com/
@rroocc.bsky.social
EVOL ░ Glues ░ DM for mastering ░ inquiries + bookings = slimerave@gmail.com https://vivapunani.org/ https://glues.bandcamp.com/ https://tigertoweltunnel.xyz/
@olliaarni.bsky.social
@throbbing-gristle.bsky.social
and then there were two... Cosey Fanni Tutti & Chris Carter (TG are not on Facebook, Instagram, or TikTok)
@marjaahti.bsky.social
The intimacy of the ear 〰 electroacoustic composer, sound artist 〰 marjaahti.com 〰 mailing list: eepurl.com/i8liEk
@boardsofcanada.bsky.social
@markernestus.bsky.social
Booking inquiries: Mark Ernestus for Americas: s@icartists.net Mark Ernestus other: chris@same-old.com Ndagga Rhythm Force: info@planetrock-booking.de